EIGHT BELLS released their sophomore full-length, Landless, via Battleground Records earlier this year. Captured by producer/engineer Billy Anderson (Agalloch, Tragedy, Demon Lung, Ommadon, Brothers Of The Sonic Cloth et al), the record is a defining evolution within EIGHT BELLS’ perpetually shapeshifting sound explorations. They toured in early 2016 with Voivod and Vektor in support of Landless.  Pitchfork calls the record, “Heartbreakingly beautiful,” further lauding the offering’s, “wraithlike vocals and numbed melodies hanging over pinprick prog fretwork… Dual vocal lines emanate from some unseen place, sometimes braided together in a conjoined plea for connection…” Noisey concurs crowningLandless, “a tour-de-force,” and hailing their,“out-there progression, ethereal atmosphere, and unexpected harmonies.” Elsewhere the sentiment echoes. Exclaim gushes, “EIGHT BELLS have created a veritable monument to yearning… Breathless, imbalanced genius,” BrooklynVegan notes, “There’s a classical doom feel… wedded to a modern sense of progressiveness, with reverb-y harmonies and organ melding creating a vivid contrast with the driving, powerful drumming of new member Rae Amitay,” while Outburn adds, “EIGHT BELLS has made a contender for one of the best records of the year for any genre.”